Thomas Cole, 1830 - Fjernsyn over Niagara Falls - kunsttryk
Inkl. Moms Forsendelse beregnes ved kassen.
(© - Art Institute Chicago - www.artic.edu)
I midten af det nittende århundredes Amerika mærkedes en kærlighed til det sublime landskab, som inspirerede seerne til en ærefrygt for naturen og en følelse af nationens særlige status, ingen steder mere kraftfuldt end ved Niagara Falls, New York, langt den hyppigste afbildet og besøgt naturattraktion i USA. Thomas Cole, grundlægger af Hudson River School of landscape painting, besøgte Niagara Falls for første gang i maj 1829. Han skitserede vandfaldene og skrev om sin oplevelse der: "Jeg havde forventet meget - men vandfaldenes storhed overstiger langt noget, jeg havde fået at vide om dem - jeg er forbavset over, at der ikke har været nogen gode billeder af dem - jeg synes, at emnet er sublimt."
Maleriet med titlen "Fjern udsigt over Niagara Falls" som et kunsttryk
Dette maleri er malet af den mandlige maler Thomas cole in 1830. The more than 190 year old original was made with the size of 47,9 × 60,6 cm (18 7/8 × 23 7/8 tommer) og blev lavet på mediet olie på panel. The original artpiece has the following text as inscrption: "signed, lower right: "Thomas Cole / 1830"". Besides, the artpiece is in the the Art Institute Chicago's collection located in Chicago, Illinois, United States of America. The moderne kunst offentlige domæne artwork is included with courtesy of Art Institute Chicago. Creditline of the artwork: Friends of American Art Collection. Ydermere er justeringen af den digitale gengivelse landskabelig med et billedformat på 4: 3, hvilket antyder det længden er 33 % længere end bredden. Thomas Cole was a painter from United States, whose art style can be attributed primarily to Romanticism. The painter was born in 1801 in Lancashire, England, United Kingdom, county and died at the age of 47 in 1848.
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- Akrylglasprint (med ægte glasbelægning): A glossy acrylic glass print, which is sometimes described as a print on plexiglass, changes your favorite original into amazing wall decoration. Your favorite artwork will be custom-made with state-of-the-art UV direct print technology. This creates the impression of deep and vivid color tones.
- Lærred print: The printed canvas mounted on a wooden stretcher frame. It makes the extra impression of three dimensionality. A canvas print of this masterpiece will allow you to transform your fine art print into a large size work of art as you know from art galleries. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
- Plakattrykket (lærredsmateriale): Artprinta poster print is a printed flat canvas paper with a fine surface finish. The poster print is best suited for framing your art replica in a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Aluminium dibond print (metal): An Aluminium Dibond print is a print with a true depth effect - for a modern look and non-reflective surface. The colors are luminous in the highest definition, the fine details of the print appear clear and crisp, and you can notice a matte appearance of the fine art print.
Kunstneroversigtstabel
Kunstner: | Thomas cole |
Andre kunstnernavne: | Cole T., Cole Thomas, Thomas Cole, Cole |
Køn: | mand |
Nationalitet: | amerikansk |
erhverv: | maler |
Land: | Forenede Stater |
Kunstnerkategori: | moderne kunstner |
styles: | Romantikken |
Livstid: | 47 år |
Født: | 1801 |
Fødeby: | Lancashire, England, Storbritannien, amt |
år døde: | 1848 |
Død i (sted): | Catskill, Greene county, staten New York, USA |
Baggrundsinformation om kunstværket
Kunstværkets titel: | "Fjern udsigt over Niagara Falls" |
Kategorisering af kunstværket: | maleri |
Generisk term: | moderne kunst |
Tidsmæssig klassifikation: | 19th århundrede |
Oprettet i: | 1830 |
Omtrentlig alder på kunstværket: | omkring 190 år gammel |
Originalt medie: | olie på panel |
Original størrelse: | 47,9 × 60,6 cm (18 7/8 × 23 7/8 tommer) |
Kunstværkets originale signatur: | signeret, nederst til højre: "Thomas Cole / 1830" |
Museum: | Art Institute Chicago |
Museets placering: | Chicago, Illinois, USA |
Museets hjemmeside: | Art Institute Chicago |
Licens: | offentlige domæne |
Venligst udlånt af: | Art Institute Chicago |
Kunstværks kreditlinje: | Friends of American Art Collection |
Strukturerede artikeldetaljer
Trykt produkt: | Wall Art |
Reproduktionsmetode: | gengivelse i digitalt format |
Fremstillingsmetode: | digital print |
Produktets oprindelse: | lavet i tyskland |
Type af lager: | produktion efter behov |
Tilsigtet produktanvendelse: | boligindretning, kunstgengivelsesgalleri |
Orientering: | liggende format |
Billedforhold: | 4: 3 |
Billedforhold betyder: | længden er 33 % længere end bredden |
Tilgængelige produktmaterialer: | lærredstryk, metaltryk (aluminium dibond), plakattryk (lærredspapir), akrylglastryk (med ægte glasbelægning) |
Størrelsesmuligheder for lærred på båreramme (lærredstryk): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Akrylglasprint (med ægte glasbelægning) størrelsesvarianter: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Størrelsesmuligheder for plakattryk (lærredspapir): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond print (aluminium materiale) varianter: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Indramning af kunstgengivelsen: | Uden ramme |
Juridisk ansvarsfraskrivelse: We try what we can in order to depict our products with as many details as possible and to display them visually on the various product detail pages. Please bear in mind that the tone of the print products, as well as the print result can vary slightly from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version shown here. Given that all the are processed and printed by hand, there might as well be slight deviations in the size and exact position of the motif.
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