Background information on the artwork from named Jules Breton
Mesterværket Weeders blev oprettet af Fransk maler Jules Breton in 1868. Den originale version havde størrelsen: 28 1/8 x 50 1/4 tommer (71,4 x 127,6 cm). Oil on canvas was used by the painter as the medium of the artwork. Besides, this work of art is in the the The Metropolitan Museum of Art's digital art collection in New York City, New York, Amerikas Forenede Stater. Med høflighed af The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, 1900 (offentligt domæne). Creditline of the artwork: Bequest of Collis P. Huntington, 1900. Moreover, alignment of the digital reproduction is landskab med et sideforhold på 16: 9, hvilket antyder det længden er 78 % længere end bredden. The writer, poet, painter Jules Breton was a European artist from France, whose artistic style can primarily be classified as Realism. The European artist was born in the year 1827 and passed away at the age of 79 i året 1906.
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In the dropdown lists right next to the product you can select your prefered size and material. Choose among the following product options now to match your preferences in size and material:
- Plakattrykket (lærredsmateriale): The poster is a printed canvas with a nice surface texture. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6 cm round about the work of art, which facilitates the framing with your custom frame.
- Det blanke akrylglasprint (med ægte glasbelægning): The acrylic glass print, which is often referenced as a an art print on plexiglass, changes your favorite original work of art into amazing home décor and forms a good alternative to canvas and dibond prints. The artwork is being made with state-of-the-art UV direct print machines. The image effect of this are deep, intense colors. Our acrylic glass protects your custom art print against light and heat for many more years to come.
- Lærred: The printed canvas stretched on a wood stretcher frame. Additionally, a printed canvas makes a lovely, pleasant effect. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without additional wall-mounts. A canvas print is suited for all kinds of walls.
- Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true effect of depth. The bright & white sections of the original work of art shimmer with a silky gloss but without any glow. The colors of the print are luminous in the highest definition, the details are crisp and clear, and you can feel the matte appearance of the surface. This UV print on aluminium is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, as it draws attention on the whole artwork.
Juridisk ansvarsfraskrivelse: We do everything in order to depict our art products with as many details as possible and to exhibit them visually in our shop. Please keep in mind that the pigments of the printed materials, as well as the imprint can diverge marginally from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as realistically as the digital version depicted here. In view of the fact that all fine art prints are processed and printed manually, there might as well be slight discrepancies in the size and exact position of the motif.
Produktet
Produkttype: | kunstgengivelse |
Reproduktion: | digital gengivelse |
Produktions proces: | digital print (UV direkte print) |
Produktion: | fremstillet i Tyskland |
Type af lager: | produktion efter behov |
Tilsigtet brug: | kunstreproduktionsgalleri, kunstsamling (reproduktioner) |
Justering: | liggende format |
Billedforhold: | længde : bredde - 16 : 9 |
Betydningen af billedforholdet: | længden er 78 % længere end bredden |
Materialevalg: | lærredstryk, akrylglastryk (med ægte glasbelægning), plakattryk (lærredspapir), metaltryk (aluminium dibond) |
Lærred på båreramme (lærredstryk) størrelser: | 90x50 cm - 35x20", 180x100 cm - 71x39" |
Muligheder for akrylglasprint (med ægte glasbelægning): | 90x50 cm - 35x20", 180x100 cm - 71x39" |
Varianter med plakattryk (lærredspapir): | 90x50 cm - 35x20" |
Udskriftsmuligheder i aluminium dibond: | 90x50 cm - 35x20" |
Indramning af kunsttryk: | tilgængelig |
Baggrundsinformation om det originale kunstværk
Kunstværkets navn: | "The Weeders" |
Kategorisering af kunstværket: | maleri |
Kategori: | moderne kunst |
Tidsmæssig klassifikation: | 19th århundrede |
Oprettet i: | 1868 |
Kunstværkets alder: | mere end 150 år |
Originalt kunstmedie: | olie på lærred |
Størrelse på det originale kunstværk: | 28 1/8 x 50 1/4 tommer (71,4 x 127,6 cm) |
Museum/samling: | Metropolitan Museum of Art |
Museets placering: | New York City, New York, Amerikas Forenede Stater |
Museets hjemmeside: | Metropolitan Museum of Art |
Artwork licens type: | offentlige domæne |
Venligst udlånt af: | The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, 1900 |
Kreditlinje for kunstværket: | Legat fra Collis P. Huntington, 1900 |
Om maleren
Kunstner: | Jules Breton |
Også kendt som: | Breton Jules Adolphe, breton j., j breton, Breton Jules Adolphe Aimé Louis, Breton Jules-Adolphe-Aimé-Louis, Jules Adolphe Aimé Louis Breton, Breton J., Breton Jules-Adolphe-Aime Louis, Breton, Breton Adolph Aime Louis, Jules Breton, J. Breton, Adolph Aime Louis, Jules-Adolphe-Aimé-Louis Breton, breton jules, Juels Breton, ברטון ז'ול, Breton Jules |
Køn: | mand |
Kunstnerens nationalitet: | Fransk |
erhverv: | maler, digter, forfatter |
Hjemland: | Fransk vin |
Klassificering af kunstneren: | moderne kunstner |
Kunstnerens stilarter: | Realisme |
Døde i en alder af: | 79 år |
Fødsels år: | 1827 |
Døde i året: | 1906 |
© Copyright beskyttet | Artprinta.com (Artprinta)
Original information about the work of art from the museum's website (© Copyright - by The Metropolitan Museum of Art - Metropolitan Museum of Art)
This is a smaller variant of a composition Breton painted in 1860 (Joslyn Art Museum, Omaha) and exhibited to wide acclaim at the Salon of 1861 and the World’s Fair of 1867 in Paris. In his autobiography, Breton described this twilight scene of peasants pulling up thistles and weeds—"their faces haloed by the pink transparency of their violet hoods, as if to venerate a fecundating star"—noting that he had discovered the subject as a "finished picture" near his native village, Courrières, in northern France.