Gerard David, 1510 - Ærkeenglen Gabriel; The Virgin Annunciate - kunsttryk

About the artpiece named "Archangel Gabriel; The Virgin Annunciate"

Denne klassisk kunst kunstværk blev lavet af Gerard david in 1510. The original was painted with the size Left wing: 34 1/2 x 11 5/8 in (87,7 x 29,5 cm), painted surface 34 x 11 in (86,4 x 27,9 cm); right wing: 34 1/2 x 11 3/4 in (87,6 x 30 cm), painted surface 34 x 11 1/8 in (86,4 x 28,3 cm). Olie på egetræsplade was applied by the Dutch painter as the medium of the piece of art. The piece of art is in the the collection of Metropolitan Museum of Art. Det klassisk kunst public domain artwork is provided with courtesy of The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975. Creditline of the artwork: Robert Lehman Collection, 1975. Tilpasningen af ​​den digitale gengivelse er portræt og har et forhold på 2: 3, which implies that the length is 33% shorter than the width. Gerard David was a male artist, illuminator, painter, drawer, miniaturist, whose art style was mainly Northern Renaissance. The painter was born in 1460 in Oudewater, Utrecht province, Netherlands and deceased at the age of 63 in the year 1523 in Bruges, West-Vlaanderen, Flanders, Belgium.

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• Aluminium dibond: This is a metal print manufactured on aluminium dibond material with an impressive depth effect. A direct Aluminium Dibond Print is your excellent start to fine prints produced with aluminum. The colors of the print are luminous in the highest definition, details of the print are crisp and clear. The UV print on aluminium is the most popular entry-level product and is an extremely contemporary way to display artworks, since it draws attention on the whole artwork.
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• Akryl glas print: An print on acrylic glass, often denoted as a plexiglass print, changes your favorite artwork into beautiful wall decoration and makes a good alternative to canvas and aluminidum dibond prints. The work of art is manufactured thanks to state-of-the-art UV printing technology. This creates the impression of sharp, vibrant color tones. With an acrylic glass art print sharp contrasts plus small painting details become exposed thanks to the precise tonal gradation.

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Originale kunstværksspecifikationer som leveret fra The Metropolitan Museum of Art (© Copyright - af The Metropolitan Museum of Art - www.metmuseum.org)

Gerard David painted in Bruges all his life. Where he trained is unknown, though his early works show the influence of his northern Netherlandish roots, and of the art of Hugo van der Goes and Dieric Bouts. These two Annunciation panels, along with the depictions of the Passion that decorated their reverses (1975.1.119), originally formed the movable wings of an altarpiece. When the wings were closed, the Archangel Gabriel and the Virgin Annunciate were shown. When opened, on certain feast days, the Christ Carrying the Cross and the Resurrection would have been displayed, flanking a central image, perhaps the Lamentation. Characteristic of David's mature style are the deep, translucent colors and the sensitive integration of figures and space in the Passion scenes. The Annunciation is executed in grisaille to emulate sculpture, yet the flesh tones and hair of the figures depart from the monochromatic gray, in keeping with the softer, naturalistic vein prevalent in Bruges painting at the turn of the century.