Thomas Anshutz, 1907 - En rose - kunsttryk

Denne 20th århundrede kunstværket blev lavet af mand kunstner Thomas Anshutz i 1907. Jo mere end 110 år gammel original kreation har følgende størrelse: 58 x 43 7/8 tommer (147,3 x 111,4 cm) og blev malet på mediet olie på lærred. The artwork is included in the The Metropolitan Museum of Art's digital art collection. With courtesy of The Metropolitan Museum of Art, New York, Marguerite og Frank A. Cosgrove Jr. Fund, 1993 (offentligt domæne licens). Creditline for kunstværket: Marguerite og Frank A. Cosgrove Jr. Fund, 1993. Ud over det er justeringen i portræt format og har et forhold på 3: 4, hvilket antyder det længden er 25 % kortere end bredden.

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I produkt dropdown-udvalget kan du vælge dit foretrukne materiale og størrelse. Du kan vælge din foretrukne størrelse og materiale blandt følgende muligheder:

• Plakattrykket (lærredsmateriale): A poster print is a printed flat canvas paper with a nice structure on the surface. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm round about the artwork to facilitate the framing with your custom frame.
• Lærred print: A canvas print is a printed cotton canvas mounted on a wooden frame. A canvas creates a cosy, pleasing impression. A canvas print of your favorite work of art will let you turn your art print into a large artpiece as you would see in a real gallery. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the use of any wall-mounts. Canvas prints are suitable for any kind of wall.
• Akrylglasprint (med ægte glasbelægning): The acrylic glass print, which is sometimes referenced as a fine art print on plexiglass, will convert your favorite artwork into lovely décor. With an acrylic glass fine art print contrasts and small details become more visible due to the fine tonal gradation.
• Aluminium dibond print: An Aluminium Dibond print is a print material with a true depth. The Direct Print on Aluminum Dibond is the excellent start to fine art replicas on aluminum. For your Direct Aluminium Dibond option, we print your chosen artpiece on the aluminium composite white-primed surface. The bright and white parts of the artwork shimmer with a silk gloss but without any glare. The colors of the print are bright and vivid in the highest definition, the fine details of the print appear crisp and clear. This direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a contemporary way to showcase art prints, since it puts all of the viewer’s attention on the replica of the artwork.

Juridisk note: We try in order to describe the art products as accurate as possible and to exhibit them visually in our shop. However, the pigments of the printing material, as well as the print result may diverge marginally from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, not all colors can be printed as exactly as the digital version depicted here. Since all art reproductions are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.

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What does the original description of the The Metropolitan Museum of Art state about this artwork made by Thomas Anshutz? (© - by The Metropolitan Museum of Art - www.metmuseum.org)

One of the most gifted American art teachers, Anshutz links the realism of his mentor Thomas Eakins with that of the Ashcan School, some of whom were his students. Perhaps because Anshutz spent so much time teaching, he painted only about 130 oils. Some of the most impressive belong to a series of images of Rebecca H. Whelen, daughter of a trustee of the Pennsylvania Academy of the Fine Arts, where Anshutz taught. The woman at leisure and the likening of a beautiful woman to a flower are common themes in late-nineteenth-century American painting. They reflect the contemporary definition of a woman's proper sphere: the realm of leisure, beauty, and the aesthetic, harmonious domestic environment. "A Rose" reflects Anshutz's simultaneous appreciation of Eakins's academic rigor and psychological probing and John Singer Sargent's painterly freedom. "A Rose" also suggests the influence of Diego Velázquez and James McNeill Whistler on late-nineteenth-century painters, including Eakins and Sargent as well as Anshutz. In portraying the young woman as contemplative and yet intellectually and emotionally alert, Anshutz also anticipates the earthier women painted by members of the Ashcan School and other twentieth-century realists.