Thomas Cole, 1842 - The Voyage of Life: Old Age - kunsttryk
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19th århundrede maleri med titlen Livets rejse: alderdom blev malet af den mandlige kunstner Thomas cole. The artpiece is part of the art collection of National Gallery of Art located in Washington DC, USA. Vi er glade for at kunne henvise til, at offentlige domæne kunstværk bliver forsynet med høflighed National Gallery of Art, Washington.Kreditlinje for kunstværket: . Ud over dette er justeringen landskab med et billedformat på 3: 2, Hvilket betyder, at længden er 50 % længere end bredden. The painter Thomas Cole was a North American artist from United States, whose style can mainly be assigned to Romanticism. The Romanticist painter was born in 1801 i Lancashire, England, Storbritannien, county og døde i en alder af 47 i år 1848 i Catskill, Greene county, staten New York, USA.
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Strukturerede produktdetaljer
Artikeltype: | kunstgengivelse |
Reproduktionsmetode: | digital gengivelse |
Produktionsteknik: | UV direkte print |
Produkt Oprindelse: | produceret i Tyskland |
Type af lager: | efter behov produktion |
Tilsigtet produktanvendelse: | boligindretning, boligdesign |
Billedjustering: | landskabelig tilpasning |
Sideforhold: | 3: 2 |
Sideforhold betyder: | længden er 50 % længere end bredden |
Tilgængelige reproduktionsmaterialer: | plakattryk (lærredspapir), akrylglastryk (med ægte glasbelægning), lærredstryk, metaltryk (aluminium dibond) |
Muligheder for lærred på båreramme (lærredstryk): | 30x20 cm - 12x8", 60x40 cm - 24x16" |
Akrylglasprint (med ægte glasbelægning) størrelser: | 30x20 cm - 12x8", 60x40 cm - 24x16" |
Varianter med plakattryk (lærredspapir): | 60x40 cm - 24x16" |
Aluminium dibond printstørrelsesmuligheder: | 30x20 cm - 12x8", 60x40 cm - 24x16" |
Indramning af kunsttryk: | tilgængelig |
Et stykke kunst information
Kunstværkets titel: | "The Voyage of Life: Old Age" |
Klassificering af kunstværker: | maleri |
Kategori: | moderne kunst |
Kunstværk århundrede: | 19th århundrede |
Kunstværks år: | 1842 |
Omtrentlig alder på kunstværket: | mere end 170 år gammel |
Museum: | National Gallery of Art |
Museets sted: | Washington DC, USA |
Museets hjemmeside: | www.nga.gov |
Kunstlicens: | offentlige domæne |
Venligst udlånt af: | National Gallery of Art, Washington |
Oversigtstabel for kunstnere
Navn: | Thomas cole |
Alternative navne: | Cole, Cole Thomas, Cole T., Thomas Cole |
Kunstnerens køn: | mand |
Kunstner nationalitet: | amerikansk |
Kunstnerens job: | maler |
Land: | Forenede Stater |
Klassifikation: | moderne kunstner |
Kunststile: | Romantikken |
Døde i en alder af: | 47 år |
Født: | 1801 |
Født på (sted): | Lancashire, England, Storbritannien, amt |
år døde: | 1848 |
Døde i (sted): | Catskill, Greene county, staten New York, USA |
Copyright © | Artprinta.com (Artprinta)
Originale kunstværksspecifikationer fra National Gallery of Art (© - National Gallery of Art - National Gallery of Art)
Cole's renowned four-part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature's fury, evil demons, and self-doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.
From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, The Voyage of Life seems intrinsically linked to the Christian doctrine of death and resurrection. Cole's intrepid voyager also may be read as a personification of America, itself at an adolescent stage of development. The artist may have been issuing a dire warning to those caught up in the feverish quest for Manifest Destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.
Kilde