Frederic Remington, 1890 - The Advance-Guard, or The Military Sacrifice (The Ambush) - kunsttryk
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Kunstværksbeskrivelse fra Art Institute Chicago (© - af Art Institute Chicago - www.artic.edu)
Born in Canton, New York, and later a student at the Yale School of Art in New Haven, Connecticut, and the Art Students League in New York City, Frederic Remington gained widespread distinction for his heroic and mythic visions of life in the American West. Remington lived in Montana and Kansas, working as a ranch hand in the early 1880s. He traveled across the West and Southwest, where he observed Native American customs, ranch life, and soldiers on horseback patrolling the frontier. Capturing the individuality and self-determination of these populations with a superb sense of drama, Remington romanticized the vanishing life of the Old West in bronze sculptures, magazine illustrations, etchings, and oil paintings.
Baggrundsinformation om det unikke kunstværk
Kunstværkets titel: | "The Advance-Guard, or The Military Sacrifice (The Ambush)" |
Kategorisering: | maleri |
Kunstklassifikation: | moderne kunst |
Århundrede: | 19th århundrede |
År: | 1890 |
Kunstværkets alder: | over 130 år gammel |
Originalt medie: | olie på lærred |
Original kunststørrelse: | 87,3 × 123,1 cm (34 3/8 × 48 1/2 tommer) |
Underskrift: | signed, lower left: "Frederic Remington/1890" |
Museum/samling: | Art Institute Chicago |
Museets placering: | Chicago, Illinois, USA |
Internet side: | Art Institute Chicago |
Licenstype for kunstværk: | offentlige domæne |
Venligst udlånt af: | Art Institute Chicago |
Kunstværks kreditlinje: | George F. Harding Samling |
Kunstneroversigtstabel
Kunstnerens navn: | Frederic remington |
Alternative navne: | Remington, Remington Frederic, Frederic Sackrider Remington, Frederic Remington, remington frederick, Remington Frederic Sackrider, frederick remington, remington f., f. remington |
Køn: | mand |
Kunstnerens nationalitet: | amerikansk |
Kunstnerens erhverv: | sculptor, painter, illustrator, writer |
Land: | Forenede Stater |
Kunstner klassifikation: | moderne kunstner |
Alder ved død: | 48 år |
Fødsels år: | 1861 |
Fødested: | Canton, Saint Lawrence county, staten New York, USA |
Døde i året: | 1909 |
Dødssted: | Ridgefield, Fairfield county, Connecticut, USA |
Om varen
Produktklassificering: | Wall Art |
Reproduktion: | gengivelse i digitalt format |
Fremstillingsteknik: | UV direkte print |
Produktion: | tysk produktion |
Type af lager: | produktion efter behov |
Tilsigtet produktanvendelse: | vægkunst, kunstsamling (reproduktioner) |
Justering af billedet: | liggende format |
Billedformatforhold: | 1.4 : 1 - længde : bredde |
Fortolkning af billedformat: | længden er 40 % længere end bredden |
Tilgængelige materialevalg: | metaltryk (aluminium dibond), lærredstryk, plakattryk (lærredspapir), akrylglastryk (med ægte glasbelægning) |
Lærredstryk (lærred på båreramme): | 70x50 cm - 28x20", 140x100 cm - 55x39" |
Akrylglasprint (med ægte glasbelægning) størrelsesmuligheder: | 70x50 cm - 28x20", 140x100 cm - 55x39" |
Plakattryk (lærredspapir) størrelser: | 70x50 cm - 28x20" |
Dibond print (alumnium materiale): | 70x50 cm - 28x20", 140x100 cm - 55x39" |
Billedramme: | Bemærk venligst, at denne gengivelse ikke har nogen ramme |
Valgbare produktmaterialer
Vi tilbyder en række forskellige størrelser og materialer til hvert produkt. Vi giver dig mulighed for at vælge din favoritstørrelse og -materiale blandt følgende produktindividualiseringsmuligheder:
- Lærredsprintet: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. It creates a sculptural impression of three dimensionality. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without the use of extra wall-mounts. A canvas print is suited for any kind of wall.
- Akrylglasprintet (med ægte glasbelægning): The print on acrylic glass, which is sometimes described as a an art print on plexiglass, makes an original work of art into great décor. The artwork will be manufactured with the help of state-of-the-art UV direct print machines. With an acrylic glass art print contrasts and small painting details will be more identifiable with the help of the precise gradation of the picture. Our real glass coating protects your selected art print against light and external influences for many years.
- Plakat print (lærredsmateriale): Our poster print is a printed canvas with a granular finish on the surface. A poster is suited for putting your art replica in a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
- Aluminiumstryk (aluminium dibond): Aluminium Dibond prints are prints on metal with an impressive effect of depth. The UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to showcase fine art prints, because it draws attention on the whole artwork.
The Advance-Guard, or The Military Sacrifice (The Ambush) is a work of art painted by Frederic Remington. The version of the painting had the following size: 87,3 × 123,1 cm (34 3/8 × 48 1/2 tommer). Oil on canvas was applied by the American painter as the medium of the painting. The artwork has the following inscription: signed, lower left: "Frederic Remington/1890". Desuden er kunstværket inkluderet i Art Institute Chicago samling, som er placeret i Chicago, Illinois, USA. We are glad to mention that the public domain work of art is provided with courtesy of Art Institute Chicago. : George F. Harding Samling. Oven i købet er justeringen inde landskab format og har et billedformat på 1.4: 1, Hvilket betyder, at længden er 40 % længere end bredden.
Disclaimer: We try all that we can in order to describe our art products as accurate as possible and to demonstrate them visually on the various product detail pages. However, the colors of the print materials, as well as the imprint may diverge somehwat from the image on the monitor. Depending on your screen settings and the condition of the surface, colors may not be printed 100% realistically. Given that the fine art prints are printed and processed by hand, there might also be minor variations in the size and exact position of the motif.
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