William Merritt Chase, 1888 - Lady in Black - kunsttryk

Maleriet er lavet af mand amerikansk kunstner William Merritt Chase. The original measures the size - 74 1/4 x 36 5/16 in (188,6 x 92,2 cm) and was produced with the teknik of oil on canvas. Nowadays, the artwork belongs to the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are glad to reference that this artpiece, which is part of the offentlige domæne er inkluderet med høflighed af The Metropolitan Museum of Art, New York, Gift of William Merritt Chase, 1891. : Gift of William Merritt Chase, 1891. Udover dette er justeringen portræt med et sideforhold på 1: 2, hvilket antyder det længden er 50 % kortere end bredden. The painter William Merritt Chase was a North American artist, whose artistic style can be attributed mainly to Impressionism. The North American painter lived for a total of 67 år and was born in 1849 in Williamsburg, Wayne county, Indiana, United States and deceased in 1916 in New York City, New York state, United States.

What does the website of the The Metropolitan Museum of Art say about this 19th century work of art painted by William Merritt Chase? (© Copyright - af The Metropolitan Museum of Art - Metropolitan Museum of Art)

Marietta Benedict Cotton (1868–1947) studied with Chase and became a successful society portraitist in New York and London. Chase later recalled: “One morning, a young lady came into my Tenth Street studio. . . . She came as a pupil but the moment she appeared before me I saw her only as a splendid model. . . . Such a model is a treasurefind. It is the personality that inspires, and which you depict on canvas.” An unabashed eclectic, Chase shared James McNeill Whistler’s predilection for monochromatic portraits and quoted the table at the left from John Singer Sargent’s "Madame X" (Madame Pierre Gautreau) of 1883–84 (16.53), also in the Museum's collection.

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