Anthony van Dyck, 1632 - Sankt Sebastian plejet af en engel - kunsttryk

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• Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding depth effect. A direct Aluminium Dibond Print is the perfect start to art prints manufactured on aluminum. For our Print On Aluminum Dibond, we print your selected artpiece onto the aluminium white-primed surface. The bright & white parts of the original work of art shine with a silky gloss, however without any glare. Colors are luminous, the fine details of the print are crisp and clear, and you can notice a matte appearance.
• Poster (lærredsmateriale): Artprinta poster print is a printed flat cotton canvas paper with a nice structure on the surface. It is excellently appropriate for framing your art replica with a custom frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Lærredsprintet: A canvas print is a printed cotton canvas stretched on a wood frame. It produces a distinctive impression of three dimensionality. Hanging your canvas print: Canvas prints are relatively low in weight. That means, it is easy to hang up the Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suited for any kind of wall.
• Trykt akrylglas: A glossy print on acrylic glass, which is often referenced as a print on plexiglass, makes the original work of art into décor. Your own replica of the artwork will be made thanks to the help of state-of-the-art UV print machines.

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Additional artwork information from The J. Paul Getty Museum (© Copyright - af J. Paul Getty Museum - J. Paul Getty-museet)

Near death after being tied to a tree and shot through with arrows, Saint Sebastian barely notices the angel helping to remove them. Anthony van Dyck painted the subject of Saint Sebastian many times, choosing various moments in the saint's story but never focusing on the one thing that most other artists emphasized: the saint's flesh punctured with arrows. Van Dyck's goal was to explore the subject's emotional possibilities, rather than the physical wounds. In this scene, the naked and defenseless Saint Sebastian is so consumed by suffering that he is practically unaware of the angel's assistance.

Using a monochromatic grisaille technique and thin paint, Van Dyck rapidly sketched in his composition, exploring the effect of light and shadow on Christ's torso and the angel's body. He painted this oil sketch in preparation for a painting that was probably never completed or is now lost. It combines the freshness, immediacy, and fluency of a drawing with the monumentality of a large painting. These qualities characterize the Flemish oil sketch, which Peter Paul Rubens first developed as an alternative to drawing and which Van Dyck, his most gifted pupil, soon adopted.

Denne klassisk kunst kunstværket blev skabt af den mandlige maler Anthony van Dyck. Moveover, the piece of art can be viewed in in the The J. Paul Getty Museum's digital collection. This klassisk kunst kunstværk, som er i offentlige domæne er ved at blive inkluderet - høflighed af J. Paul Getty-museet.Furthermore, the artpiece has the following creditline: . Moreover, alignment of the digital reproduction is portrait and has a ratio of 3: 4, Hvilket betyder, at længden er 25 % kortere end bredden. Anthony van Dyck was a translator, author, dramaturge, painter, theater director, etcher from the Netherlands, whose art style was mainly Baroque. The Baroque artist lived for 42 years, born in the year 1599 i Antwerpen, Antwerpen-provinsen, Flandern, Belgien og døde i 1641 i London, Greater London, England, Storbritannien.

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