Nicolaes Pietersz Berchem, 1670 - Allegory of Spring - kunsttryk

28,99 €

Inkl. Moms Forsendelse beregnes ved kassen.

General specifications from Mauritshuis website (© - Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222)

Oplysninger om struktureret kunst

Kunstværkets titel: "Allegory of Spring"
Klassificering af kunstværket: maleri
Generelt udtryk: klassisk kunst
Tid: 17th århundrede
Oprettet i året: 1670
Kunstværkets alder: mere end 350 år gammel
Malet på: olie på lærred
Størrelse på det originale kunstværk: højde: 94,3 cm bredde: 88,5 cm
Original kunst signatur: underskrevet: Berchem f
Museum/sted: Mauritshuis
Museets placering: Haag, Sydholland, Holland
Internet side: www.mauritshuis.nl
Kunstlicens: offentlige domæne
Venligst udlånt af: Mauritshuis, Haag
Kreditlinje: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222)

Kunstner bord

Kunstnerens navn: Nicolaes Pietersz Berchem
Køn: mand
Nationalitet: Hollandsk
Kunstnerens job: maler
Hjemland: Holland
Kunstnerkategori: gammel mester
Døde i alderen: 61 år
Født: 1622
død: 1683

Artikelinformation

Artikel kategorisering: kunst kopi
Reproduktionsmetode: gengivelse i digitalt format
Fremstillingsmetode: UV direkte print
Produktion: Tyskland
Lager type: On Demand
Anvendelse: kunsttrykgalleri, vægkunst
Justering af billedet: firkantet format
Billedforhold: 1: 1 (længde bredde)
Fortolkning af sideforhold: længden er lig med bredden
Tilgængelige materialevarianter: akrylglastryk (med ægte glasbelægning), plakattryk (lærredspapir), lærredstryk, metaltryk (aluminium dibond)
Lærred på båreramme (lærredstryk): 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59x", 180 -180" 71cm
Akrylglasprint (med ægte glasbelægning) størrelsesvarianter: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59x", 180 -180" 71cm
Varianter med plakattryk (lærredspapir): 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Aluminium print: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Indramning af kunsttrykket: uindrammet gengivelse

Få din mulighed for kunsttryksmateriale

For every product we offer a range of different sizes and materials. Pick your favorite size and material among the following options:

  • Lærred print: A printed canvas, which shall not be confused with an artwork painted on a canvas, is an image applied onto cotton canvas. Furthermore, a canvas print generates a nice and pleasant appearance. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. Because of thata canvas print is suited for all types of walls.
  • Plakat på lærredsmateriale: The poster print is a printed flat canvas with a fine structure on the surface, that reminds the original version of the work of art. A printed poster is perfectly qualified for framing the fine art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting to facilitate the framing with your custom frame.
  • Akryl glas print: An acrylic glass print, which is often named as a fine art print on plexiglass, transforms the original work of art into beautiful wall décor. The great advantage of an acrylic glass fine art copy is that sharp contrasts and minor details become recognizeable because of the delicate gradation. The acrylic glass protects your custom fine art print against light and heat for many decades.
  • Aluminium dibond (metaltryk): Aluminium Dibond prints are prints on metal with a true effect of depth. The white and bright parts of the artpiece shimmer with a silky gloss, however without any glare. The colors of the print are luminous and bright, the fine details of the print are clear and crisp.

Dit personlige kunstprodukt

In 1670 Nicolaes Pietersz Berchem skabte dette maleri fra det 17. århundrede "Allegory of Spring". Udgaven af ​​kunstværket måler størrelsen på højde: 94,3 cm bredde: 88,5 cm | højde: 37,1 i bredde: 34,8 in og blev malet med teknik of olie på lærred. The artwork's inscription is: "signed: Berchem f". Moveover, the work of art is part of the Mauritshuis's digital art collection, which is located in Haag, Sydholland, Holland. Med høflighed af: Mauritshuis, Haag (public domain licens). : Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222). Hvad mere er, justeringen af ​​den digitale reproduktion er inde firkant format og har et billedformat på 1 : 1, hvilket betyder, at længden er lig med bredden.

Disclaimer: We try our utmost in order to describe the art products as clearly as possible and to illustrate them visually on the various product detail pages. Although, the tone of the printing material, as well as the print result can diverge slightly from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as exactly as the digital version on this website. Considering that all our art prints are printed and processed by hand, there might also be minor differences in the size and exact position of the motif.

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