Jasper Francis Cropsey, 1860 - Efterår - På Hudson River - kunsttryk

Det moderne kunstværk Autumn - On the Hudson River blev malet af realist kunstner Jasper Francis Cropsey. The artpiece was made with the following size: 151,8 x 274,9 cm. Olie på lærred was used by the American painter as the medium of the painting. Today, the piece of art can be viewed in in the collection of National Gallery of Art, som er museet for den amerikansk-amerikanske nation, der bevarer, indsamler, udstiller og fremmer en forståelse af kunstværker. Med høflighed af - National Gallery of Art, Washington (offentlig domæne).Kreditlinje for kunstværket: . Desuden er justeringen af ​​den digitale gengivelse inde landskab format og har et billedforhold på 16 : 9, hvilket betyder, at længden er 78 % længere end bredden. The painter Jasper Francis Cropsey was a North American artist, whose style was mainly Realism. The painter was born in 1823 in Rossville, Staten Island, New York, New York, United States, neighborhood and passed away at the age of 77 in 1900 in Hastings-on-Hudson, Westchester county, New York state, United States.

Original information om kunstværket på museets hjemmeside (© Copyright - af National Gallery of Art - www.nga.gov)

This monumental view of the Hudson River Valley was painted from memory in the artist's London studio. Cropsey adopted a high vantage point, looking southeast toward the distant Hudson River and the flank of Storm King Mountain. A small stream leads from the foreground, where three hunters and their dogs gaze into the sunlight. All along the meandering tributary there are signs of man's peaceful coexistence with nature: a small log cabin, grazing sheep, children playing on a bridge, and cows standing placidly in the water. Here, man neither conquers nor is subservient to nature; both coexist harmoniously. In fact, the landscape is depicted as a ready arena for further agricultural expansion. While autumnal scenes traditionally are associated with the transience of life, Cropsey's painting is more a celebration of American nationalism. As a critic wrote in 1860, the picture represents "not the solemn wasting away of the year, but its joyful crowning festival."

The painting created a sensation among many British viewers who had never seen such a colorful panorama of fall foliage. Indeed, because the autumn in Britain customarily is far less colorful than in the United States, the artist decided to display specimens of North American leaves alongside his painting to persuade skeptical visitors that his rendition was botanically accurate.

More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, 118-122, which is available as a free PDF

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