Joseph Champion, 1742 - Handelskort af John Brown, stole og kabinet-arbejde, ved Three Coverd Chairs & Walnut Tree, St. Paul's Church Yard, London - kunsttryk
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Udskriv produktresumé
Trade card of John Brown, Chairs and Cabinet-work, at the Three Coverd Chairs & Walnut Tree, St. Paul's Church Yard, London is an artwork made by Joseph Champion in 1742. The more than 270 years old original measures the size Sheet: 5 1/16 × 6 1/16 in (12,9 × 15,4 cm). ætsning was used by the European painter as the technique for the work of art. It is in the the digital collection of Metropolitan Museum of Art. With courtesy of - The Metropolitan Museum of Art, New York, Gift of Bella C. Landauer (licensed - public domain). Creditline of the artwork: Gift of Bella C. Landauer. Hvad mere er, justeringen er inde portræt format og har et sideforhold på 1 : 1.2, hvilket betyder at længden er 20 % kortere end bredden.
What specifically does the curator team of the The Metropolitan Museum of Art write about the 18th century work of art created by Joseph Champion? (© - af The Metropolitan Museum of Art - www.metmuseum.org)
Trade card for John Brown, Chairs and Cabinet-work in St. Paul's Church Yard. The card is characterized by a simple double-line frame. The top of the card is decorated with a vignette, consisting of a small cartouche with Brown's shop sign of the three chairs and walnut tree. To the left and right are examples of different kinds of mirrors supplied by Brown. Text is placed below the vignette. Both the vignette and text were designed by Master penman Joseph Champion, although likely executed by an intermediary engraver. The preparatory drawing for the vignette is also in the Met collection. The trade card was used as a bill and has writing on the recto and verso. The verso includes the date April 1, 1761.
Strukturerede detaljer af kunstværket
Kunstværkets navn: | "Trade card of John Brown, Chairs and Cabinet-work, at the Three Coverd Chairs & Walnut Tree, St. Paul's Church Yard, London" |
Klassificering af kunstværket: | maleri |
Generel kategori: | klassisk kunst |
Periode: | 18th århundrede |
Oprettet i året: | 1742 |
Kunstværkets alder: | omkring 270 år gammel |
Artwork originalt medium: | ætsning |
Størrelse på det originale kunstværk: | Ark: 5 1/16 × 6 1/16 tommer (12,9 × 15,4 cm) |
Museum/samling: | Metropolitan Museum of Art |
Museets placering: | New York City, New York, Amerikas Forenede Stater |
Museets hjemmeside: | Metropolitan Museum of Art |
Licenstype: | offentlige domæne |
Venligst udlånt af: | The Metropolitan Museum of Art, New York, Gift of Bella C. Landauer |
Kreditlinje for kunstværket: | Gift of Bella C. Landauer |
Struktureret kunstnerinformation
Kunstnerens navn: | Joseph Champion |
Også kendt som: | Champion Joseph, Joseph Champion, Mr. Champion |
Kunstner nationalitet: | Britiske |
Jobs: | kunstner |
Land: | Det Forenede Kongerige |
Klassifikation: | gammel mester |
levetid: | 56 år |
Fødselsår: | 1709 |
Døde i året: | 1765 |
Vælg dit ønskede produktmateriale
In the product dropdown lists you can select the material and sizeaccording to your personal preferences. That is why, we allow you to choose among the following options:
- Trykt plakat på lærredsmateriale: A poster print is a UV printed flat cotton canvas with a slightly roughened structure on the surface. The poster print is used for putting the art copy using a personal frame. Please note, that depending on the size of the canvas poster print we add a white margin of around 2-6cm around the painting in order to facilitate the framing with your custom frame.
- Akrylglastryk: The acrylic glass print, which is sometimes named as a plexiglass print, will turn your favorite original artwork into gorgeous décor and is a viable alternative to canvas and dibond fine art replicas. Your own version of the artwork will be manufactured with the help of modern UV direct printing machines. The image effect of this are vibrant, deep color tones. With an acrylic glass art print contrasts and minor painting details will be exposed because of the very fine tonal gradation in the picture. Our acrylic glass protects your custom art print against sunlight and external influences for up to 60 years.
- Lærred: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas print produces a lively and appealing ambience. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without any wall-mounts. A canvas print is suitable for any kind of wall.
- Aluminium dibond print: Aluminium Dibond prints are prints on metal with an impressive depth, which creates a fashionable impression with a non-reflective surface. The white and bright parts of the artpiece shine with a silky gloss but without any glare.
Varetabel
Produktklassificering: | kunsttryk |
Reproduktion: | digital gengivelse |
Fremstillingsmetode: | UV direkte print (digital print) |
Proveniens: | tysk produktion |
Lager type: | produktion efter behov |
Tilsigtet produktanvendelse: | gallerivæg, vægdekoration |
Justering af kunstværket: | portrætjustering |
Billedformatforhold: | 1 : 1.2 - længde : bredde |
Sideforhold implikation: | længden er 20 % kortere end bredden |
Tilgængelige reproduktionsstoffer: | lærredstryk, akrylglastryk (med ægte glasbelægning), plakattryk (lærredspapir), metaltryk (aluminium dibond) |
Kanvastryk (lærred på båreramme) størrelsesmuligheder: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Akrylglasprint (med ægte glasbelægning): | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Muligheder for plakattryk (lærredspapir): | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Aluminium dibond print størrelse varianter: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Ramme: | ingen ramme |
Juridisk note: We try our best to depict our art products as closely as possible and to demonstrate them visually on the product detail pages. Although, the tone of the print products and the imprint might diverge marginally from the image on the device's monitor. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed as realisitcally as the digital version shown here. Given that all the art reproductions are processed and printed by hand, there might as well be minor discrepancies in the size and exact position of the motif.
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