Agnolo Bronzino, 1550 - Portræt af en kvinde - kunsttryk
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Specifikationer for kunstprodukter
Denne 16th århundrede kunstværk kaldet Portræt af en kvinde blev oprettet af Italiensk kunstner Agnolo Bronzino. Maleriet havde størrelsen: Indrammet: 81,5 x 68,5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 in); Uindrammet: 60 x 48,8 cm (23 5/8 x 19 3/16 tommer). Olie på træ was used by the European artist as the medium of the work of art. This artpiece is part of the digital collection of Cleveland Museum of Art in Cleveland, Ohio, Amerikas Forenede Stater. Med høflighed af - Cleveland Museum of Art (licenseret - offentligt domæne). Kreditgrænsen for kunstværket er følgende: Leonard C. Hanna, Jr. Fond. Desuden er justering af den digitale gengivelse inde portræt format og har et forhold på 3: 4, which means that the length is 25% shorter than the width. The poet, painter Agnolo Bronzino was a European artist from Italy, whose art style can mainly be classified as Mannerism. The painter was born in 1503 in Monticelli, Firenze province, Tuscany, Italy and passed away at the age of 69 i 1572.
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- Aluminium dibond print: This is a metal print made on aluminium dibond with a true effect of depth. For the Aluminium Dibond print, we print the chosen artpiece onto the surface of the aluminum composite. The white and bright components of the artwork shine with a silky gloss, however without glow.
- Trykt akrylglas: An acrylic glass print, often named a fine art print on plexiglass, will change an original into décor. Beyond that, the acrylic fine art print makes a great alternative option to aluminium and canvas fine art prints. The work of art is printed thanks to the help of state-of-the-art UV print machines. The result of this are intense and deep colors. The major benefit of a plexiglass fine art print is that contrasts plus painting details become identifiable because of the subtle tonal gradation.
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Produkt tabel
Produktklassificering: | kunsttryk |
Reproduktionsmetode: | digital gengivelse |
Produktions proces: | UV direkte print |
Produktion: | fremstillet i Tyskland |
Lager type: | produktion efter behov |
Produktanvendelse: | kunstreproduktionsgalleri, gallerivæg |
Artwork orientering: | portrætjustering |
Billedforhold: | længde bredde - 3 : 4 |
Fortolkning af billedformatet: | længden er 25 % kortere end bredden |
Tilgængelige reproduktionsmaterialer: | akrylglastryk (med ægte glasbelægning), lærredstryk, plakattryk (lærredspapir), metaltryk (aluminium dibond) |
Lærred på båreramme (lærredstryk) størrelser: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Akrylglasprint (med ægte glasbelægning) størrelsesvarianter: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Muligheder for plakattryk (lærredspapir): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Muligheder for aluminium dibond-print (aluminiumsmateriale): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Billedramme: | ingen ramme |
Artwork bord
Kunstværkets titel: | "Portræt af en kvinde" |
Kategorisering af kunstværket: | maleri |
Kunstklassifikation: | klassisk kunst |
Periode: | 16th århundrede |
Kunstværks år: | 1550 |
Omtrentlig alder på kunstværket: | over 470 år gammel |
Malet på: | olie på træ |
Kunstværkets originale størrelse: | Indrammet: 81,5 x 68,5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 in); Uindrammet: 60 x 48,8 cm (23 5/8 x 19 3/16 tommer) |
Museum: | Cleveland Museum of Art |
Museets placering: | Cleveland, Ohio, Amerikas Forenede Stater |
Museets hjemmeside: | Cleveland Museum of Art |
Licens: | offentlige domæne |
Venligst udlånt af: | Cleveland Museum of Art |
Kunstværks kreditlinje: | Leonard C. Hanna, Jr. Fond |
Kunstner bord
Navn: | Agnolo Bronzino |
Yderligere navne: | Bronzino Agnolo, Angelo Di Cosimo gen. Bronzino, Brancino, Di Cosimo di Mariano Tori Agniolo, Angiolo Allori, Brunzini, Angelo Allori detto Bronzino, Bronzino fiorentino, Bronzzino, Bronzino Agniolo di Cosimo di Mariano Tori, Bronzino Agnolo eigentl. Agniolo Di Cosimo, Bronzeno, Angelo Bronzino Fiorentino, Cosimo Agnolo Di, angiolo bronzio, Agnolo Bronzino, Agnolo Bronzino Vecchio, Bronzino, Bronzino Agnolo di Cosimo Allori, Le Bronzin, Le Bronzino, Di Cosimo Agnolo, Agniolo Bronzino, Angelo Allori, Angelo Di Cosimo Di Mariano Bronzino, Cosimo Angelo di genannt Bronzino, Brongino, Allori Bronzino, Bronzino vecchio, Angelo Bronzini, Angiolo Allori dit le Bronzino, Brunsino de Florence, agnolo di cosimo. bronzino, Angiolo Bronzino eigentl Angiolo di Cosimo di Mariano, Bronzino Agnolo Eigentl. Agnolo Di Cosimo, agnolo di cosimo gen. bronzino, Bronzio Angelo, Angelo Bronzino, Bronzino Angiolo, Agnolo di Cosimo Bronzino, Angiolo Bronzino, Bronzino vechio, Bronsino Agnolo, bronzino angelo, Bronzini, Bronzino Angelo di Cosimo di Mariano, Angelo Bronzino Vechhio, Bronzino Agnolo Tori di Cosimo di Mariano, Ag. Bronzino, Bronzino Agnolo di Cosimo, A. Bronzino, Bronzini Agnolo, bronsino, Angelo-Bronzino, Bronzina, bronçino |
Kunstnerens køn: | mand |
Nationalitet: | Italiensk |
erhverv: | digter, maler |
Kunstnerens land: | Italiensk vin |
Kunstner klassifikation: | gammel mester |
styles: | Manierisme |
Døde i alderen: | 69 år |
Fødselsår: | 1503 |
Fødested: | Monticelli, Firenze-provinsen, Toscana, Italien |
død: | 1572 |
Død i (sted): | Firenze, Firenze-provinsen, Toscana, Italien |
Denne tekst er ophavsretligt beskyttet © - www.artprinta.com (Artprinta)
What does the website of the The Cleveland Museum of Art state about the work of art created by Agnolo Bronzino? (© - The Cleveland Museum of Art - Cleveland Museum of Art)
Bronzino was court painter to Cosimo I de’Medici, the Duke of Florence. Though the woman cannot be definitively identified, she was likely affiliated with the Medici court. As in most of the portraits in this gallery, Bronzino emphasizes wealth, status, and courtly refinement above personality or individualized expression. The plain background further accentuates the work’s monumentality and grandeur, despite its small scale. The hand placed against the chest with elegantly spread fingers extends back to an ancient Greek pose of modesty, here emphasizing the proper comportment of a woman of high status. The sitter wears a linen partlet (collar) delicately embroidered in matt stitch, part of which is, like her cuffs, trimmed in fine lace.