Lucas Cranach den ældre og værksted, 1532 - Johann I (1468–1532), konstanten, kurfyrst af Sachsen - kunsttryk

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Det over 480 years old artpiece was made by Lucas Cranach the Elder and Workshop in the year 1532. Det 480 years old artpiece has the size: 8 x 5 5/8 tommer (20,3 x 14,3 cm). Oil on beech, with letterpress-printed paper labels was applied by the German painter as the technique for the piece of art. The artwork is in the the art collection of Metropolitan Museum of Art, som ligger i New York City, New York, Amerikas Forenede Stater. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Robert Lehman, 1946 (public domain). Creditline of the artwork: Gift of Robert Lehman, 1946. The alignment is in portræt format med et billedforhold på 1: 1.4, hvilket betyder det længden er 29 % kortere end bredden.

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The product dropdown menu gives you the opportunity to select your prefered size and material. The following options are available for individualization:

• Trykt akrylglas: The print on acrylic glass, often named a plexiglass print, will turn your favorite original artwork into beautiful décor. Your favorite work of art will be made with state-of-the-art UV printing technology. The major upside of a plexiglass fine art print is that contrasts plus smaller image details will be exposed due to the granular gradation.
• Plakattryk (lærredsmateriale): The poster is a printed canvas with a slightly roughened surface finish, which reminds the original masterpiece. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm round about the print in order to facilitate the framing.
• Metal (aluminium dibond print): These are metal prints on aluminium dibond material with a true depth effect, which makes a modern look thanks to a non-reflective surface. For our Print On Aluminum Dibond, we print the selected work of art onto the aluminium surface. The bright & white components of the work of art shine with a silky gloss but without any glare. Colors are luminous, the fine details of the print appear clear and crisp, and there’s a matte appearance you can literally feel. The print on aluminium is one of the most popular entry-level products and is an extremely stylish way to display art reproductions, as it puts 100% of the viewer’s focus on the artwork.
• Lærred print: A printed canvas stretched on a wood frame. A canvas generates the extra look of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the support of extra wall-mounts. Canvas prints are suitable for all kinds of walls.

Disclaimer: We do our best to depict the art products with as many details as we can and to exhibit them visually. Please keep in mind that the tone of the print products, as well as the printing can vary somehwat from the presentation on the screen. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. In view of the fact that the art reproductions are processed and printed manually, there might as well be minor variations in the exact position and the size of the motif.

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What does the website of the The Metropolitan Museum of Art say about this artwork from the painter Lucas Cranach the Elder and Workshop? (© - by The Metropolitan Museum of Art - www.metmuseum.org)

Disse posthume portrætter af de saksiske kurfyrster Friedrich III, den Vise og Johann I, Konstanten, tilhører en serie på tres sådanne portrætpar, bestilt af Johann I's søn og efterfølger, Johann Friedrich I, den Storsindede, da han blev kurfyrst i 1532 Han havde til hensigt, at portrætterne af sin far og onkel skulle tjene som redskaber til propaganda. De medfølgende rosende digte understreger overgangen af ​​saksisk valgpræmiens fra Friedrich til Johann og antyder derved legitimiteten af ​​Johann Friedrichs eget vælgerkorps. Den omfattende serie blev færdiggjort i 1533 og demonstrerer den hastighed og effektivitet, som Cranach-værkstedet var i stand til.