Albert Bierstadt, 1873 - The Grizzly Giant Sequoia, Mariposa Grove, Californien - kunsttryk

Original artwork specifications from Los Angeles County Museum of Art website (© Copyright - Los Angeles County Museum of Art - Los Angeles County Museum of Art)

In May 1863 Bierstadt and the writer Fitz Hugh Ludlow left New York for the artist’s second trip through the West. Their principal objective was to capture the beauty of Yosemite Valley, which the photographs of Carleton Watkins (1829-1916) had revealed to astonished New Yorkers in 1862. In a drawing room in San Francisco in August, on the eve of their departure for the final leg of their journey there, they again gazed at Watkins’s photographs. Shortly before reaching Yosemite, they and other artist-companions -- Enoch Wood Perry (1831-1915) and Virgil Williams (1830-1886) of San Francisco -- paused near Mariposa to sketch the big trees. Although the museum’s painting was not executed until about ten years later, it should not be surprising that in it Bierstadt borrowed the subject and vantage point of one of Watkins’s early photographs of the Grizzly Giant Sequoia. The size of the museum’s painting indicates that it was not one of the oil sketches Bierstadt made that day. All of his sketches from that trip were fourteen by nineteen inches or smaller. Bierstadt did not employ the twenty-two-by-thirty-inch sheet until 1872, and then only for oil sketches painted in the studio. The museum’s painting probably dates from Bierstadt’s residence in San Francisco (1871-73). It may be visible in a photograph probably taken in 1873 of the artist’s studio, where it hangs on the wall among rows of studio sketches (Hendricks, Bierstadt, CL-6). Bierstadt often painted the big California trees. He exhibited such paintings in 1874 at the National Academy of Design and the Royal Academy. The Grizzly Giant still stands in Mariposa Grove. The huge tree, to the left of center in the painting, was 28 feet wide and 209 feet high. Equally impressive was the giant’s age, estimated at twenty-five hundred years, a span of time going back to the kings of the Old Testament. Bierstadt may have used the museum’s painting as a study for his ten-foot-high California Redwoods, painted in about 1875 (private collection). In that painting he corrected the Grizzly Giant’s leaning, noticeable in the oil study. Intended as a record for the artist’s later use, these studies have a fresh realism often sacrificed to dramatic effect in the finished exhibition paintings.

19th århundrede kunstværk The Grizzly Giant Sequoia, Mariposa Grove, California blev lavet af Albert Bierstadt. Det 140 years old work of art has the dimensions - 29 13/16 × 21 5/16 tommer (75,72 × 54,13 cm). Olie på papir monteret om bord was used by the North American painter as the technique for the masterpiece. Furthermore, the piece of art belongs to the Los Angeles County Museum of Art's art collection, which is located in Los Angeles, Californien, USA. Det moderne kunst offentlige domæne artpiece is being supplied with courtesy of Los Angeles County Museum of Art (www.lacma.org).: . Moreover, alignment is portræt og har et sideforhold på 1 : 1.4, hvilket indebærer det længden er 29 % kortere end bredden. The painter Albert Bierstadt was a North American artist, whose artistic style can mainly be classified as Romanticism. The artist lived for 72 år, born in the year 1830 in Solingen, North Rhine-Westphalia, Germany and deceased in the year 1902 in Irving, Chautauqua county, New York state, United States.

Vælg en varematerialevariant

Vi tilbyder en række forskellige størrelser og materialer til hvert produkt. Vælg din favoritstørrelse og -materiale blandt følgende muligheder:

• Lærred: The canvas direct print is a printed canvas mounted on a wooden frame. A canvas print has the great advantage of being low in weight, meaning that it is quite simple to hang up the Canvas print without extra wall-mounts. A canvas print is suited for any type of wall.
• Aluminium dibond print: These are metal prints on alu dibond material with an impressive effect of depth. The colors of the print are luminous in the highest definition, the fine details appear very clear.
• Print på blank akrylglas: A glossy acrylic glass print, which is sometimes referenced as a print on plexiglass, transforms an original work of art into brilliant décor. The work of art will be manufactured with the help of state-of-the-art UV print technology. Our acrylic glass protects your selected fine art print against sunlight and heat for between four and 6 decades.
• Plakattrykket (lærredsmateriale): Our poster is a printed flat canvas paper with a slightly roughened finish on the surface, that resembles the actual work of art. It is excellently suited for placing your fine art print using a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm around the print, which facilitates the framing with your custom frame.

Kort oversigt over kunstneren

Baggrundsinformation om det originale kunstværk

Varebaggrundsdata

Juridisk note: We try in order to describe the art products as clearly as possible and to display them visually. Nonetheless, the colors of the print materials, as well as the print result can vary somehwat from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, color pigments may not be printed as exactly as the digital version depicted here. Because all art reproductions are processed and printed manually, there might also be slight deviations in the motif's exact position and the size.

© Copyrightbeskyttet af - Artprinta.com (Artprinta)