Ferdinand Georg Waldmüller, 1850 - Anna Bayer, kunstnerens anden hustru - kunsttryk

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• Lærred: A canvas print is a printed cotton canvas stretched on a wood stretcher. It makes the special impression of three dimensionality. Besides, canvas makes a nice, appealing effect. Canvas prints are relatively low in weight, which means that it is easy to hang your Canvas print without extra wall-mounts. Therefore, a canvas print is suited for any type of wall.
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• Aluminium dibond print: An Aluminium Dibond print is a print material with an impressive effect of depth. A direct Aluminium Dibond Print is your ideal start to art prints with aluminum. Colors are vivid and luminous, fine details of the print are very clear.

Vigtig information: We try everythig possible in order to depict our products as closely as possible and to demonstrate them visually on the various product detail pages. Nevertheless, the tone of the printing material, as well as the printing may differ to a certain extent from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realisitcally as the digital version depicted here. Given that all the fine art prints are processed and printed by hand, there may also be minor deviations in the motif's size and exact position.

Beskrivelse af museets hjemmeside (© - af Belvedere - www.belvedere.at)

Waldmüller knew the dress maker's daughter Anna Bayer (1824-1897) for several years. A marriage, however, was excluded under the former legislation because Waldmüller since 1814 k with. k. Court Opera Singer Catherine Waldmüller born, Weidner, when married was, even though the couple was separated for many years. After his wife died in November 1850 married Waldmüller and Anna Bayer on January 14, 1851 in Vienna's St. Stephen's Cathedral. It is not to overlook the fact that he has his 25-year-old woman loved, because the portrait that emerged shortly before the wedding, fanned as much sensuality as worship. The painter set up a Modistengeschäft for his wife in the Weihburggasse. A little later he will exhibit here its Images. [Sabine Grabner 8/2009]

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19th århundrede maleriet er lavet af Ferdinand Georg Waldmüller in 1850. Den mere end 170 år gamle original måler størrelsen: 68 x 55 cm - rammemål: 93 x 81 x 9 cm. Olie på lærred was used by the painter as the medium of the work of art. The original painting has the following text as inscrption: identification Center right: Waldmüller 1850. I dag er dette kunstværk inkluderet i den digitale samling af Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. We are delighted to mention that the artwork, which belongs to the offentlige domæne is being supplied with courtesy of © Belvedere, Vienna, inventory number: 291. : purchase from heirs Waldmüller in 1897. Furthermore, alignment is in portræt format med et forhold på 1: 1.2, Hvilket betyder, at længden er 20 % kortere end bredden. Ferdinand Georg Waldmüller was a male painter of Austrian nationality, whose art style can primarily be attributed to Realism. The Austrian artist was born in 1793 in Vienna and died at the age of 72 in the year 1865 in Hinterbrühl bei Wien.

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