Ludolf Bakhuysen, 1692 - Stadholder-kong Willem III's (1650- 1702) ankomst i Oranjepolder den 31. januar 1691 - kunsttryk
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Generel beskrivelse som leveret af Mauritshuis (© Copyright - af Mauritshuis - Mauritshuis)
Ewout van Dishoeck, Middelburg, before 1744; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822
Oplysninger om produktet
In 1692 Ludolf Bakhuysen painted the masterpiece with the title "The Arrival of Stadholder-King Willem III (1650- 1702) in the Oranjepolder on 31 January 1691". The 320 years old version of the artpiece was painted with the size: height: 53,5 cm width: 67,5 cm | height: 21,1 in width: 26,6 in. Oil on canvas was used by the painter as the medium of the artpiece. The original artwork's inscription is the following: dated and signed: 1692 / L. Bak / huis.. Dette kunstværk er i Mauritshuis kunstsamling placeret i Haag, Sydholland, Holland. Med høflighed af: Mauritshuis, Haag (offentligt domæne). : Ewout van Dishoeck, Middelburg, before 1744; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. In addition to this, the alignment of the digital reproduction is in landskab format med et forhold på 4: 3, Hvilket betyder, at længden er 33 % længere end bredden.
Vælg din materialevariant
Vi tilbyder en række forskellige materialer og størrelser til hvert produkt. Vælg mellem følgende produktmuligheder nu for at matche dine præferencer i størrelse og materiale:
- Akryl glas print: The acrylic glass print, often labelled as a print on plexiglass, will transform your favorite original artwork into décor. Your own version of the work of art is custom-made with modern UV direct printing technology. Our real glass coating protects your chosen art replica against light and external influences for several decades.
- Lærredsprintet: The canvas print, which shall not be mistaken with a real canvas painting, is a digital image printed from a UV direct printing machine. A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang up your Canvas print without extra wall-mounts. Because of thata canvas print is suitable for any type of wall.
- Plakattrykket på lærredsmateriale: Artprinta poster print is a printed sheet of cotton canvas paper with a granular finish on the surface. Please note, that depending on the size of the poster print we add a white margin 2-6cm around the painting to facilitate the framing.
- Metal (aluminium dibond print): An Aluminium Dibond print is a print with an impressive effect of depth. The colors of the print are vivid and luminous in the highest definition, details are crisp, and you can notice a matte appearance of the product.
Kort oversigt over kunstneren
Kunstnerens navn: | Ludolf Bakhuysen |
Kunstnerens køn: | mand |
Kunstnerens nationalitet: | Tysk |
Kunstnerens erhverv: | maler |
Hjemland: | Tyskland |
Klassificering af kunstneren: | gammel mester |
Alder ved død: | 78 år |
Fødselsår: | 1630 |
død: | 1708 |
Artpiece bord
Kunstværkets titel: | "The Arrival of Stadholder-King Willem III (1650- 1702) in the Oranjepolder on 31 January 1691" |
Kategorisering af kunstværket: | maleri |
Bred kategori: | klassisk kunst |
Århundrede: | 17th århundrede |
Oprettet: | 1692 |
Kunstværkets alder: | mere end 320 år |
Medium af originalt kunstværk: | olie på lærred |
Størrelse på det originale kunstværk: | højde: 53,5 cm bredde: 67,5 cm |
Original kunstværk inskription: | dated and signed: 1692 / L. Bak / huis. |
Museum: | Mauritshuis |
Museets sted: | Haag, Sydholland, Holland |
Museets hjemmeside: | Mauritshuis |
Licens: | offentlige domæne |
Venligst udlånt af: | Mauritshuis, Haag |
Kunstværks kreditlinje: | Ewout van Dishoeck, Middelburg, before 1744; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822 |
Detaljer om strukturerede emner
Artikelklassificering: | kunst kopi |
Reproduktionsmetode: | digital gengivelse |
Fremstillingsmetode: | digital print (UV direkte print) |
Proveniens: | lavet i tyskland |
Lager type: | On Demand |
Anvendelse: | vægdekoration, kunstreproduktionsgalleri |
Orientering af billedet: | landskabelig tilpasning |
Sideforhold: | 4 : 3 - (længde bredde) |
Betydning af billedformat: | længden er 33 % længere end bredden |
Tilgængelige reproduktionsmaterialer: | metaltryk (aluminium dibond), lærredstryk, plakattryk (lærredspapir), akrylglastryk (med ægte glasbelægning) |
Størrelsesmuligheder for lærred på båreramme (lærredstryk): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Akrylglasprint (med ægte glasbelægning) størrelsesmuligheder: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Varianter med plakattryk (lærredspapir): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond print (aluminium materiale) størrelsesmuligheder: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Ramme: | uindrammet kunstkopi |
Vigtig information: We do everything in order to depict our art products as precisely as possible and to exhibit them visually in our shop. Still, the colors of the printed materials, as well as the imprint can vary marginally from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version shown here. Bearing in mind that all art prints are processed and printed manually, there might also be minor discrepancies in the exact position and the size of the motif.
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