Hugo van der Goes, 1475 - Portræt af en mand - kunsttryk
Inkl. Moms Forsendelse beregnes ved kassen.
Detaljerede produktspecifikationer
15th århundrede piece of art was created by Hugo van der Goes. The 540 år gamle version af kunstværket blev malet med størrelsen: Oval, overall 12 1/2 x 10 1/2 in (31,8 x 26,7 cm); painted surface 12 1/2 x 10 1/4 in (31,8 x 26 cm). Olie på træ was used by the Dutch artist as the technique for the work of art. Nowadays, this piece of art can be viewed in in the Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art public domain masterpiece is being included with courtesy of The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Creditline of the artwork: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. In addition to this, the alignment of the digital reproduction is portræt og har et billedforhold på 1: 1.2, which means that the length is 20% shorter than the width. The Netherlandish painter Hugo van der Goes was an artist from the Netherlands, whose art style was mainly Northern Renaissance. The Dutch painter was born in the year 1467 in Ghent, East Flanders, Flanders, Belgium and deceased at the age of 15 in the year 1482.
Kunsttryksmaterialer, som du kan vælge imellem:
Vi tilbyder en række forskellige størrelser og materialer til hvert produkt. Vi giver dig mulighed for at vælge mellem følgende varianter:
- Trykt plakat (lærredsmateriale): Artprinta poster is a printed canvas with a fine finish on the surface. It is suited for framing your fine art print in a customized frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing.
- Metal (aluminium dibond print): An Aluminium Dibond print is a print material with an impressive depth effect. The Direct Print on Aluminum Dibond is the excellent introduction to art reproductions produced on aluminum. The colors of the print are bright and vivid, the details are clear and crisp, and there’s a matte look you can literally feel.
- Akrylglasprintet (med ægte glasbelægning): A glossy acrylic glass print, which is often denoted as a fine art print on plexiglass, will turn your favorite artwork into lovely décor.
- Lærredsprintet: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. Furthermore, a canvas print makes a attractive, enjoyable feeling. A canvas print has the advantage of being low in weight, which means that it is easy to hang up the Canvas print without the support of additional wall-mounts. Hence, canvas prints are suitable for any type of wall.
Vigtig juridisk bemærkning: We try to depict our products as precisely as it is possible and to exhibit them visually on the various product detail pages. However, the tone of the print materials and the print result may diverge somehwat from the presentation on your monitor. Depending on the settings of your screen and the quality of the surface, not all colors can be printed one hundret percent realistically. Because our are printed and processed by hand, there might also be minor deviations in the motif's exact position and the size.
Struktureret produktinformation
Artikel kategorisering: | kunsttryk |
Reproduktionsmetode: | digital gengivelse |
Produktionsteknik: | UV direkte print |
Produktets oprindelse: | produceret i Tyskland |
Type af lager: | efter behov produktion |
Tilsigtet produktanvendelse: | vægbillede, kunstsamling (reproduktioner) |
Justering: | portrætformat |
Billedforhold: | 1 : 1.2 - længde bredde |
fortolkning: | længden er 20 % kortere end bredden |
Vare materialevarianter: | akrylglastryk (med ægte glasbelægning), metaltryk (aluminium dibond), plakattryk (lærredspapir), lærredstryk |
Muligheder for lærred på båreramme (lærredstryk): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Akrylglasprint (med ægte glasbelægning) varianter: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Størrelsesmuligheder for plakattryk (lærredspapir): | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Aluminium print varianter: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Ramme: | Bemærk venligst, at denne kunstkopi ikke har en ramme |
Artwork information
Navn på maleriet: | "Portræt af en mand" |
Kategorisering af kunstværker: | maleri |
Paraplybegreb: | klassisk kunst |
Kunstværk århundrede: | 15th århundrede |
Kunstværks år: | 1475 |
Kunstværkets alder: | over 540 år gammel |
Originalt kunstmedie: | olie på træ |
Original størrelse (kunstværk): | Oval, overall 12 1/2 x 10 1/2 in (31,8 x 26,7 cm); painted surface 12 1/2 x 10 1/4 in (31,8 x 26 cm) |
Museum: | Metropolitan Museum of Art |
Museets placering: | New York City, New York, Amerikas Forenede Stater |
Tilgængelig på: | Metropolitan Museum of Art |
Licenstype: | offentlige domæne |
Venligst udlånt af: | The Metropolitan Museum of Art, New York, HO Havemeyer Collection, Bequest of Mrs. HO Havemeyer, 1929 |
Kreditlinje: | HO Havemeyers Samling, Legat fra Fru HO Havemeyer, 1929 |
Kunstner bord
Kunstnerens navn: | Hugo van der Goes |
Andre navne: | Van der Goes Hugo, Goes, Hugues Vander Goes, Hyges von der Goes, Hugues Vander-Goes disciple de Jean de Bruges, Goes Hugo van der, Hugo Vander Goes, Vander Goes, Hugues Van-Der-Goes, Hugues Vander Goes eleve de Van Eyck, Hugues van der Does, Hugo van der Goes, van der Goes |
Køn: | mand |
Kunstner nationalitet: | Hollandsk |
erhverv: | nederlandsk maler |
Kunstnerens land: | Holland |
Klassificering af kunstneren: | gammel mester |
Kunstnerens stilarter: | Nordrenæssance |
levetid: | 15 år |
Født i året: | 1467 |
Fødeby: | Gent, Østflandern, Flandern, Belgien |
Dødsår: | 1482 |
© Copyright af | Artprinta (www.artprinta.com)
Kunstspecifikationer fra museet (© - The Metropolitan Museum of Art - www.metmuseum.org)
Hugo van der Goes produced some of the most celebrated altarpieces of the Northern Renaissance. The heightened realism of this portrait, especially the beard stubble, is a hallmark of his work. By setting the man’s head against a dark interior, next to a bright window, the accentuated contrast of light and shadow enhances the modeling of the facial features. The portrait was later cut into an oval shape from a rectangular panel, which probably originally formed part of a devotional triptych. The sitter, with his hands joined in eternal prayer, directs his gaze toward the missing religious image.