Pedro Orrente, 1625 - Korsfæstelsen - kunsttryk

59,99 €

Inkl. Moms Forsendelse beregnes ved kassen.

Baggrundsinformation om kunstprodukter

Dette mesterværk blev skabt af Pedro Orrente i 1625. Det hinsides 390 year old original measures the size: 48 3/4 × 40 1/2 in (123,8 × 102,9 cm) and was produced with the medium oil on canvas. This artpiece can be viewed in in the Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 (licenseret: public domain). The creditline of the artwork is: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014. What is more, the alignment is in portrait format and has an aspect ratio of 1 : 1.2, which implies that længden er 20 % kortere end bredden. The painter Pedro Orrente was an artist, whose art style was primarily Baroque. The Spanish artist lived for 65 år - født i 1580 og død i år 1645.

Vælg en valgmulighed for produktmateriale

The product dropdown menu provides you with the chance to select your individual material and size. The following sizes and materials are the options we offer you for individualization:

  • Metaltryk (aluminium dibond): These are metal prints on aluminium dibond material with a true depth. The non-reflective surface creates a fashionable look. The colors of the print are luminous, the fine details appear very clear.
  • Lærredsprintet: The printed canvas material stretched on a wood stretcher frame. A canvas print generates a soft and warm effect. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without the help of any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
  • Trykt plakat (lærredsmateriale): The poster print is a printed cotton canvas with a slightly rough finish on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
  • Akryl glas print: An acrylic glass print, which is sometimes referred to as a print on plexiglass, will turn an artwork into beautiful wall decoration. The artwork is printed with modern UV print technology. This has the impression of sharp and vivid colors.

Vigtigt: We make every effort to depict the art products with as many details as possible and to display them visually in our shop. Please keep in mind that the tone of the print products, as well as the printing might vary to a certain extent from the image on your screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.

Produktet

Produktkategorisering: kunstgengivelse
Reproduktionsmetode: digital gengivelse
Fremstillingsmetode: digital print
Produktion: fremstillet i Tyskland
Type af lager: produktion efter behov
Tilsigtet brug: boligindretning, kunstsamling (reproduktioner)
Orientering: portrætformat
Billedforhold: 1: 1.2 længde til bredde
Billedforhold betyder: længden er 20 % kortere end bredden
Stof muligheder: plakattryk (lærredspapir), metaltryk (aluminium dibond), lærredstryk, akrylglastryk (med ægte glasbelægning)
Lærredstryk (lærred på båreramme) størrelser: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Akrylglasprint (med ægte glasbelægning): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Varianter med plakattryk (lærredspapir): 50x60 cm - 20x24", 100x120 cm - 39x47"
Udskriftsstørrelser i aluminium: 50x60 cm - 20x24", 100x120 cm - 39x47"
Ramme: uindrammet produkt

Baggrundsinformation om kunstværker

Kunstværkets titel: "Korsfæstelsen"
Klassificering af kunstværket: maleri
Generisk term: klassisk kunst
Periode: 17th århundrede
Oprettet i året: 1625
Kunstværkets alder: 390 år
Medium af originalt kunstværk: olie på lærred
Kunstværkets originale størrelse: 48 3/4 × 40 1/2 tommer (123,8 × 102,9 cm)
Museum: Metropolitan Museum of Art
Museets placering: New York City, New York, Amerikas Forenede Stater
Museets hjemmeside: www.metmuseum.org
Licenstype: offentlige domæne
Venligst udlånt af: The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014
Kunstværks kreditlinje: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014

Kunstnermetadatatabel

Kunstnerens navn: Pedro Orrente
Også kendt som: Pedro Orrente, pedro rrente, Pedro renti, mro Pedro orr^Tte^R, Orrente, orriente, Pedro orantte, Pedro dorrente, orrentte, Pedro Orente, Orrente Pedro, P.o orrente, Orrenti, P^To^R Rente, Pedro Orentes, Orrente Pedro de, Bassano Español El, Pedro orentte, Jumilla Pedro de Orrente, pedro Lorente, orente, Orrente y Jumilla Pedro de, orentte, Pedro Orrentte, Rente Pedro, Pedro Rente, p^To^R renti, Pedro renz
Kunstnerens køn: mand
Nationalitet: Spansk
Kunstnerens job: maler
Kunstnerens land: Spanien
Kunstnerkategori: gammel mester
Kunstnerens stilarter: barok
Levetid: 65 år
Født: 1580
Døde i året: 1645

© Copyright beskyttet | Artprinta.com (Artprinta)

What does the The Metropolitan Museum of Art say about the 17th century work of art from the painter Pedro Orrente? (© Copyright - The Metropolitan Museum of Art - Metropolitan Museum of Art)

As recounted in the Gospel of Matthew 27:45-49, Christ has called out from the cross to God, and a bystander has “fetched a sponge, which he soaked in sour wine, and held it to his lips on the end of a cane.” Saint John stands below the cross as the Virgin Mary and two companions arrive, mourning, while three soldiers at left gamble for Christ's tunic. The figure on the ladder is a particularly brilliant narrative interpolation.Pedro Orrente spent time in Venice and Rome. Upon his return to Spain he worked in Toledo, where he knew El Greco, whose work must suddenly have looked old fashioned compared to the new naturalism of Caravaggesque painting. This is the finest of a much-repeated composition.

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